Showing posts with label india. Show all posts
Showing posts with label india. Show all posts

When This Key Sketch Gets Real Tongue Is Fork Hen Is Cock When This Key Sketch Gets Real My Baby Eagle's Dream Comes True Review

When This Key Sketch Gets Real Tongue Is Fork Hen Is Cock When This Key Sketch Gets Real My Baby Eagle's Dream Comes True
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When This Key Sketch Gets Real Tongue Is Fork Hen Is Cock When This Key Sketch Gets Real My Baby Eagle's Dream Comes True ReviewI found this book by chance, in a bookstore in Trivandrum, Kerala, India. Staying here for the summer, I decided to check out the bookstore to hopefully discover some south Indian writers to keep me entertained and introduce me to the world of contemporary Indian literature. While I did manage to find some of what I was looking for, I was much more taken with the discovery of this contemporary Indian artist.
I was first drawn to the book by its title, but admittedly, I was a little afraid that it could be quasi-dadaist nonsense. Oh sure, there's something kind of resembling a dadaist approach here, perhaps, but there's also obviously the work of a truly skilled, gifted visual artist.
Natesh's drawings evoke similar imagery as some of Dali's line art, but its definitely no kind of imitation. What he's doing is very much his own thing. I'm not hip enough to the contemporary art world to make any obvious comparisons, but his aesthetic certainly would appeal to anyone who appreciaate unvconventional, psychedelic, or just plain weird stuff in any artistic medium.
Highly recommended!When This Key Sketch Gets Real Tongue Is Fork Hen Is Cock When This Key Sketch Gets Real My Baby Eagle's Dream Comes True OverviewChennai-based artist Natesh is perhaps better known for his installation artworks and colorful paintings, which have been exhibited all over India as well as in France and Germany. This collection of 73 ink drawings of surreal combinations of hands, women, fish, tigers, eagles, rhinoceroses, and rollerskating gunmen showcases the amazing things Natesh can do with a simple black line.

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Recovering The Lost Tongue: Memoirs Of A Romantic Among The Bhils Review

Recovering The Lost Tongue: Memoirs Of A Romantic Among The Bhils
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Recovering The Lost Tongue: Memoirs Of A Romantic Among The Bhils ReviewRahul Banerjee did not make his millions in the Silicon Valley. In fact, he has never been to the Silicon Valley. He hasn't made his millions either.
Instead he has written a book- and the book has not found a publisher. So he did not make his millions this way either.
But Rahul Banerjee found a wealth of experience and inner satisfaction of having spent a life among the poorest of the poor in the country. He represents that diminishing tribe of middle- class young men and women fired with an empathy for the downtrodden, forsake what could have been more comfortable lives, to work for, and with what Dostoevsky's called the `insulted and the humiliated'.
A life- long activist among the Adivasis in Madhya Pradesh, Rahul was at one time associated with the Narmada Bachao Andolan, among others.
Recovery of the Lost Tongue is Rahul Banerjee's mid- life autobiographical reflection on his life spent working with and organizing the adivasis in Madhya Pradesh. It is written in the manner of a well read and well- engaged activist, his range of reading is mind boggling, and his experiences as a foot- soldier organizer among the people he chose to work with, fascinating.
But the most exhilarating aspect of the book is is the harmony between thought and action, a constant dialectic between theory and action. Small is the tribe of such people, and fewer still are those who have documented their experience and engagement with some of the poorest of the poor in the country.
The result of this dynamic praxis is very evident in every chapter of the book, with its insights into the life of the poorest- adivasis, women and the Dalits. There are occasional flashes of flamboyance (Love is all you need) and humour. Some of the chapters are treatises in themselves, and each could spawn a book by itself.
What remains in the mind at the end is the constant effervescence of ideas and wisdom gleaned over a quarter of a century.
The themes that the book deals with are the author's own urge that led him to give up a what could have been a comfortable middle class existence after he completed his engineering from IIT, Kharagpur in 1983 (A Mission Found ), his discovery of the life and struggles of the adivasis, his romance with his future wife and via her insights into Dalit life, the double exploitation of adivasi and Dalit women and the travails of organizing the poorest of the poor.
Some of the chapters written with an exceptional sense of adventure are those about the involvement with the Narmada Bachao Andolan, and its sad marginalization that continues (Reliving the Myth of Sisyphus).
Parallel to this is his ideological evolution- from Marxism to interactions with Lohiate socialists and to the advocation of what he calls anarcho- environmentalism. One can differ with him on these, indeed as I do, but what is unquestionable is his extreme sincerity to the ideas that he has believed in at various times during the last quarter of a century and the `confident restlessness' that the poet of the reawakening of Asia, Mohammad Iqbal spoke of.
In a very perceptive chapter Reliving the Myth of Siyphus, he analyses the objective conditions that requires Gandhiji's techniques of Satyagraha to succeed.
He considers the environmental challenge- to which even the adivasis have now fallen prey- to the "prisoners' paradox" in which both the beneficiaries and the victims try to outdo each other devouring up increasingly scarce resource of Mother earth.
How mammoth and pointlessly excruciating the task is, is expressed in some of the more cynical chapters like The Exasperating Anarchist and increasingly becomes shrill towards the later chapters. The author has made repeated references to the myth of Sisyphus- made memorable by the Albert Camus, though at places, the experiences of the writer in fighting for justice for the adivasis recall to mind Kafka's Joseph K- in the novel The Trial.
Two of the most passionately written chapters are Time for a Sabbatical and The Treasure of Terra Madre. The former is based on the experience of his wife, Subhadra, who coming from a Dalit family found the distance learning course from Indira Gandhi University to be a challenge. The author's own attempts to get access to get data under the Right to Information Act from a university whose professed goal is `knowledge ... dissemination through sustainable open and distance learning systems seamlessly accessible to all'.
Rahul Banerjee has not been able to give back the tongue to the adivasis. But he has learned their language and spoken for them. And in the process, has etched the ideas and struggles that have defined the sensitivities of our age.
One hopes that he continues to carry forward as a crusading public intellectual of the other India.
Recovering The Lost Tongue: Memoirs Of A Romantic Among The Bhils OverviewFor Rahul Banerjee, the road from the Indian Institute of Technology, Kharagpur led straight into the land of the Bhils, the indigenous people in Central India. Over the last quarter of a century, Rahul Banerjee has worked among some of the poorest of the poor in the country. This book recounts not only his life among the Bhils, but also his own transformation into an apostate from modernity.The book is the product of an active and restless mind presenting a delightful account of activist and Bhil life in India "from below" while engaging with the broader ideas that are shaping contemporary India.

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No One Had a Tongue to Speak: The Untold Story of One of History's Deadliest Floods Review

No One Had a Tongue to Speak: The Untold Story of One of History's Deadliest Floods
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No One Had a Tongue to Speak: The Untold Story of One of History's Deadliest Floods ReviewThe two Harvard student-authors, Utpal Sandesara & Tom Wooten develop their account of the devastating 1979 dam collapse in Gujarat within the context of the social history of 20th century India. This book is part travelogue and part biography as well as the story of a terrible tragedy. I couldn't help comparing it to accounts of New Orleans before, during, and after Hurricane Katrina. Politics are firmly embedded in the latter part of both tragedies in an ugly, but predictable manner.
The collapse of Machhu Dam-II looms over the narrative like the Erinyes over the hero in a Greek tragedy. It was an accident waiting to happen, rather like the collapse of the New Orleans levees during Hurricane Katrina. On an exceptionally rainy August 11, 1979, the impounded water finally overtops its earthen embankments as the 2 million+ people living below it are performing their monsoon routines and preparing for the Hindu Shravan holidays.
The dam itself was only seven years old, but the calculations for the maximum amount of water that it needed to hold were fatally flawed. The monsoon rains that precipitated the collapse dumped 28 inches of rain on the region in less than 24 hours. The two-mile-long earthen embankments that flanked either side of the concrete spillway were never meant to be overtopped. When they were, the banks quickly eroded away and the cities and villages downstream were inundated by twelve to thirty feet of raging floodwater, including Morbi (aka Morvi), which was also known as 'the Paris of India.'
The authors interviewed many citizens of Morbi and its surrounding villages, including the mayor, a principal, and a convict who was serving time for murder, all of them victims of the flood. The reader is given a solid introduction to what life for these protagonists was like before, during, and after the disaster. One of my favorite characters, other than the convict Gangaram Tapu who saved many people during the flood, is Pratapbhai Adroja, the owner of a small tobacco shop called 'Ghost Paan.'The Indian Government did finally get around to helping Morbi rebuild, but Pratapbhai's fellow-citizens pitched in and helped his Ghost Paan reopen less than a week after the floodwater almost destroyed their city.
I think Americans could learn a few lessons from the citizens of Morbi on how to get a city back up and running, with only minimal help from Big Government.
Be sure to read the thoughtful forward on 'Disasters Natural and Unnatural' by Paul Farmer, the Chair of the Department of Global Health and Social Medicine at Harvard Medical School. I actually came away from this book feeling proud of what the citizens of Morbi accomplished during the rebuilding of their city, in spite of a Government that seemed to be most interested in suppressing the report from the Machhu Dam-II Inquiry Commission, and elected officials who were focused on fixing blame on the 'other' political party, rather than on the rebirth of the 'Paris of India.'
Morbi was rebuilt to be bigger and wealthier than before the flood, then suffered another round of devastation during a 2001 earthquake centered just north of the Gulf of Kutch. So the authors were surprised to find that "the Machhu dam disaster remained 'the' disaster for the city's inhabitants...Although the region had transformed radically in the intervening decades, the disaster of 1979 remained a definitive event in the local consciousness."
Estimates of the number of dead from the Machhu dam break range from 1500 to 15000 people, but the focus of "No One had a Tongue to Speak" is quite rightly on the survivors.
***review copy supplied by the authors
No One Had a Tongue to Speak: The Untold Story of One of History's Deadliest Floods OverviewForeword byPaul Farmer, MD, PhD, Maude and Lillian Presley Professor of Social Medicine and Chair, Department of Global Health and Social Medicine, Harvard Medical School, and Cofounder of Partners In HealthOn the rainy night of August 11, 1979, a mud-splattered jeep slowed to a halt by the shores of a vast man-made lake in western India. Stepping from the vehicle, an exhausted government engineer was shocked to find the lake empty after ten days of torrential monsoon showers. The two-mile-long Machhu Dam-II had washed away, sending its reservoir careening toward the industrial city of Morbi. One of history's deadliest flash floods had just taken place.No One Had a Tongue to Speaktells, for the first time, the epic and heartrending story of the Machhu dam disaster. The seeds of the tragedy are planted as Indian politicians, swept up in the heady optimism of their country's newfound independence, mandate a slew of dam-construction projects. Massive earthworks rise and vast reservoirs accumulate, but the rapid clip of development outpaces the skill of the engineers behind it. When the Machhu Dam-II gives way after days of incessant rains, residents of the downstream river valley are plunged into a watery hell. Their lives are torn to pieces in an instant. Up to 25,000 perish, though the disaster's true human toll is not known. As survivors grapple with the flood's aftereffects, a long and fateful quest to determine responsibility for the dam's failure ensues.In the three decades since muddy floodwaters surged through the Machhu River Valley, the disaster has faded from collective memory.No One Had a Tongue to Speakrevives it in striking form, weaving together stories from 148 interviews and extensive archival research. From the rooftops where survivors struggled amid the raging floodwaters to the courthouse chambers where lawyers searched for answers in the flood's aftermath, this book presents the disaster in the words of those who lived through it.Grounded in meticulous historical research, this eye-opening account of the Machhu dam disaster nonetheless unfolds like a novel as it recounts a historic human tragedy and paints a vivid portrait of an India torn between its feudal past and its industrial future.No One Had a Tongue to Speakattests not only to human error and neglect, but also to the compelling urge to survive, rebuild, and fight for justice.

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