Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

The Icky Sticky Frog Review

The Icky Sticky Frog
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The Icky Sticky Frog ReviewI am a preschool teacher and mother of 4. My 2 year-old classroom loves this book. It flows wonderfully read out loud. I have adapted the story using animal props and puppets. The kids love it. It is a great book to begin teaching science concepts such as the food chains and habitats. It makes a great addition to theme related activities involving frogs / pond life. If I have to have only one book with me at circle time this one is the one I know will grab the childrens' attention and hold it for multiple readings. A wonderful gift and a must own for every parent and/or teacher.The Icky Sticky Frog OverviewThis clever book features a frog with silly googly eyes and a long sticky-stretchy tongue that are actually attached to the book's cover!The hilarious read-aloud story features bright, humorous illustrations - and you won't believe the surprise ending!Kids delight to The Icky Sticky Frog!--This text refers to an alternate Hardcover edition.

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Budapest: A Novel Review

Budapest: A Novel
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Budapest: A Novel Review...unlike a lot of musicians, whose attempt at fiction comes off as stilted and short-sighted, Buarque turns out to be a great, tersely effective novelist. This, his third book, is a short-but-dense meditation on the parallels and interplay of love and language. The narrator, a ghost-writer named Jose Costa, first becomes infatuated with a foreign tongue, than a foreign tongue attached to a foreign girl. While his career peaks, he abandons his wife and fat child to surrender to the Hungarian language and his new teacher...this is only the beginning: Buarque packs a lot into 183 pages, and the two plots (the language and the ghost-writing career) intersect masterfully, leading to a miraculously antipodean conclusion that is neither uplifting nor depressing, just ingeniously circular. Bittersweet to beat the band, unnervingly precise, and immensley poignant, BUDAPEST is also granted with a great translation job from the original Portugese into English.Budapest: A Novel Overview

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The World According to Garp (Modern Library) Review

The World According to Garp (Modern Library)
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The World According to Garp (Modern Library) ReviewI first read THE WORLD ACCORDING TO GARP in 1982, the year the movie adaptation came out. I was a great fan of Robin Williams (MORK & MINDY still being on television at the time), and because I was far too young to view the film, I decided to read its source novel. Actually, I did an oral report on it, much to the chagrin of my 6th grade teacher. It's hard to do an oral report when the rest of the class is awestruck at the use of the word 'bastard'. I did very well, but the teacher did recommend that I stick to less challenging works, considering my age. Thankfully, I did not listen.
In the many times I have reread GARP since, I have never failed to be struck dumb by the sheer elegance and beauty, not to mention brutality, of John Irving's novel. While Irving's writing have too often been described as 'Dickensian', it is truly an accurate summation. Irving presents a family saga rife with bizarre yet realistic characters, all swirling around what very well may the finest character put to paper in the 20th century, T.S. Garp.
Garp is the bastard son (there's that word again) of Jenny Fields, a sometimes nurse and headmistress, who doesn't believe in anyone but herself, and her son. As Garp matures, finding success as an author, Jenny inadvertently eclipses his fame with her own autobiography, which catapults her to the forefront of the feminist movement.
I won't say more about the plot, because nothing else would suffice. To try and describe it any further might inadvertently gloss over the innumerable circumstances that make up Garp's life. Already, many single scenes come flooding back to memory: Garp, as a child, stranded precariously on the roof of a dormitory, trying to find a pigeon; Garp as a teen, experiencing his first sexual encounter, as well as a more fierce encounter with a large black dog named Bonkers; Garp (in arguably the most haunting moment) turning off his car's engine and quietly gliding up his driveway in the dark, as his son whispers, "It's like a dream!"
Irving's other characters run the gamut, from odorific professors to brain-dead war heroes. There's Roberta Muldoon, a former linebacker-turned-transexual; Ellen James, the tragic and unwanting figurehead of a truly weird cult; and Poo, the sister of one of Garp's first girlfriends. Irving weaves his characters and situations together in a breathtaking dance. And despite the dance's immense complexity, he never once loses his step.
Irving has also become famous (justifiably so) for a story Garp pens within the novel, THE PENSION GRILLPARZER. While this story is terrific, it has overshadowed the rest of Garp's work found within the pages of the novel. Irving performs a neat trick, in that Garp's style of writing, while similar to Irving's, is not exactly the same. Irving writes from Garp's viewpoint, ensuring that Garp has a voice of his own. While GRILLPARZER is famous, an excerpt from one of Garp's later novels is equally memorable. In the story, a young housewife is raped, while a police officer tracks the rapist down. While it feels like an Irving novel, it also doesn't; it is far nastier and more grotesque than anything else Irving has written. It is not Irving's story, it is Garp's, providing a telling glimpse into Garp's anguished soul.
GARP is a tragedy, with funny parts. It is a comedy, with heart-wrenching moments. It is riotously funny, and crushingly moving. It is a story of writers, and insanity, and adultry, and terminal cases. Like the best novels, it displays the entire life of an individual the reader would not otherwise get to know. It presents you with places you want to see, and people you wouldn't mind sharing a beer with. It is Irving's best work, and a landmark in American literature.The World According to Garp (Modern Library) Overview

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Daily Sex: 365 Positions and Activities for a Year of Great Sex Review

Daily Sex: 365 Positions and Activities for a Year of Great Sex
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Daily Sex: 365 Positions and Activities for a Year of Great Sex Reviewthere was no new positions in this book to me except for the first page...the rest of the positions was the same stuff over and over again. we had fun trying the first few pages but when we looked for something new, there was nothing new about the positions, just their names.Daily Sex: 365 Positions and Activities for a Year of Great Sex OverviewReaders can banish boredom from the bedroom all year with this day-by-day guide to the most erotic foreplay and exciting sex imaginable.

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Flames of a Wagging Tongue Review

Flames of a Wagging Tongue
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Flames of a Wagging Tongue ReviewMegan day has done it again! Proving herself as an intricate suspence writer, yet instinct, facts and Carmen, the young inspector can only fast forward or loose the culprit keeping one step ahead on e-mailFlames of a Wagging Tongue OverviewAs bodies begin piling up in a small town, Sadie finds herself on the run. Rumors are flying and innocent people are being murdered. Not only are the police after her as the prime suspect, but the monster responsible taunts her with graphic images of the dead. Her e-mail becomes his source of communication where he shows her what he has done and what he plans to do next, if only she can unravel his hints in time. Carmen, a young inspector, heads up the investigation. Though everyone on the force is convinced Sadie is the culprit, she isn't so sure. Her instincts tell her different as she scrambles to stay one step ahead of the madness. As the body count approaches five, the investigation takes a sudden turn for the worse. Carmen's husband, Marty, gets tangled up with Jess, Sadie's dearest friend. In a matter of hours, both men are trapped in the lair of the demon in an attempt to rescue Sadie. With the clock ticking, Carmen has to try and corner the real killer before it's too late.

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Calling: Essays on Teaching in the Mother Tongue Review

Calling: Essays on Teaching in the Mother Tongue
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Calling: Essays on Teaching in the Mother Tongue ReviewI wish this book had been published by a mainstream, New York publisher. Every professor -- especially every woman who considers an academic career -- should read this book and Gail Griffin's second, Season of the Witch.
Griffin (or Gail, as she'd probably prefer) writes an unsparing, honest account of her life as a college professor at a small "teaching institution." What's rare -- and what probably kept this book out of the mainstream -- is her ability to integrate literature with life. She must be an incredible teacher. Her brief descriptions of classroom discussion motivated me to search out some books I would have missed otherwise, notably The Color Purple.
As a career coach/consultant, I noted that Gail Griffin reveals her own career sensitivity. She instinctively chose a college where her unique talents would flourish. As she writes, she felt at home right away, although she fought the feeling. Like most new assistant professors, fresh from a prestigious graduate school, she had been taught to value scholarship -- articles in high-powered journals -- over teaching. In the language of career counseling, she created a career that expressed her own value system and seems to serve her life purpose.
As an ex-professor, I can appreciate Griffin's challenge at tiny Kalamazoo College. Staying intellectually keen while teaching only undergraduates calls for a unique discipline, motivation and, above all, sense of oneself. I couldn't have done it: I taught the jaded MBAs that some of Griffin's students became.
If I were teaching a course on careers, especially academic careers, this book would be on the list. I can't help comparing it to the gloomier but also brilliantly written Cliff Walk,
which would also be required reading. Griffin herself might pick up a gender subtext, far better than I could.
I wish she'd write another book and get a big-name publisher
to pick it up.Calling: Essays on Teaching in the Mother Tongue Overview

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L Is for Lollygag: Quirky Words for a Clever Tongue Review

L Is for Lollygag: Quirky Words for a Clever Tongue
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L Is for Lollygag: Quirky Words for a Clever Tongue ReviewI got this book as a gift from a friend today. She's a word nut like me, I love weird and unusual words. The words in the book will add color to your vocabulary or simply remind of some of the rarer words you've heard. It will make you laugh out loud saying some of them.L Is for Lollygag: Quirky Words for a Clever Tongue OverviewA is for apple? B is for ball? Humbug! Forget about that hackneyed gobbledygook. In this lexicon oflinguistic delights, word lovers of all ages will discover that A is for alley-oop, B is for brouhaha, and L is for, well, lollygag ! Packed with quirky illustrations, fun trivia, and lists within lists, this is one humdinger of a dictionary.

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The Double Tongue Review

The Double Tongue
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The Double Tongue ReviewThis is Golding at his gentlest. As with The Inheritors, Golding goes into the ancient past for his material, choosing as his protagonist the reluctant Oracle at Delphi in a time when Greek culture and political power were waning, and Roman influence under Julius Caesar was fast becoming a juggernaut. Her agon is the nature of her faith in Greek religious tradition, caught as she is between the economics, ethics, and metaphysics of religious and priestly praxis.
Golding has freed himself from the contraints of his earnest and often spellbinding Christianity here: the Oracle is a Greek Matty Windrover/Pincher Martin in some ways, though not as intensely immersed in the spiritual. But Golding also christianizes his subject in subtle and, for Christian readers at any rate, engaging ways. Paul's statue "to the unknown god" figures here, as does the Apollo/Christ connection so often discussed in myth criticism and anthropology. That Christ may not be easily recognizeable, however. He has more akin with Donne's "three-personed God"--at least as Donne would want Him--than he does with the persona of the NT.
My chief complaint is that the novel is too short. It lacks a substantial middle, in Aristotelian terms, so that the rising action feels a bit malformed and hurried. I imagine that, had he lived, Golding would have shaped and expanded it considerably. But overall, the premise is interesting, and the text works aesthetically. Golding had lost none of his ability to "see through to the heart of things" eschatological and ontological, and to represent those experiences in language in intense and ultimately rewarding ways. I recommend it unreservedly to readers familiar with Golding's oeuvre beyond Lord of the Flies.The Double Tongue Overview

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The Genius of Language: Fifteen Writers Reflect on Their Mother Tongue Review

The Genius of Language: Fifteen Writers Reflect on Their Mother Tongue
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The Genius of Language: Fifteen Writers Reflect on Their Mother Tongue ReviewAll fifteen authors have one thing in common: they love words.All of them were drop-shipped, via their parent's fiat, to worlds where their mother tongue was no longer heard.These are the stories of how they lived, learned, spoke and eventual wrote English. Initially, their minds were full of ideas, but the words to express them were no longer understood outside of their family.The need to communicate burned inside of them and drove them to English, and maybe drove to the unencumbered freedom found in writing.
If you are looking for a work in the field of linguistics, keep looking, for this book is a `niche' book that gives one an unusual vista on the joys of words via quasi-autobiographies. This anthology is as unique as it is interesting to read. Strongly recommendedThe Genius of Language: Fifteen Writers Reflect on Their Mother Tongue OverviewFifteen outstanding writers answered editor Wendy Lesser's call for original essays on the subject of language–the one they grew up with, and the English in which they write.Despite American assumptions about polite Chinese discourse, Amy Tan believes that there was nothing discreet about the Chinese language with which she grew up. Leonard Michaels spoke only Yiddish until he was five, and still found its traces in his English language writing. Belgian-born Luc Sante loved his French Tintin and his Sartre, but only in English could he find "words of one syllable" that evoke American bars and bus stops. And although Louis Begley writes novels in English and addresses family members in Polish, he still speaks French with his wife–the language of their courtship. As intimate as one's dreams, as private as a secret identity, these essays examine and reveal the writers' pride, pain, and pleasure in learning a new tongue, revisiting an old one, and reconciling the joys and frustrations of each.

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